The 100 Greatest Films of the 21st Century is a list compiled in August 2016 by the British … CS Read the review, Iranian director Abbas Kiarostami had already proved himself a master in the late 20th century; this simple but effective piece – featuring a woman driving different people around Tehran – proved he could do it in the 21st. A film supercharged with edginess. CC Read the review, Here’s a police procedural with a difference by the Turkish director Nuri Bilge Ceylan – the whodunnit and why playing second fiddle to long stretches of silence. CS Read the review, Sarah Polley followed Away From Her and Take This Waltz by turning the camera on her own family secrets in this tricksy and compassionate documentary uncovering the true identity of her father. Stacker analyzed data from Metacritic to ranked the top 100 movies of all time. AP Read the review, Twelve years in the shooting, Richard Linklater’s story of a child’s life between six and 18 is a vindication of artistic ambition in an age of cinematic snacking. Taking into account the responses of 177 film critics from around the world, BBC has compiled a list of 100 top movies of the 21st century. Russell Crowe bellows and glowers opposite hyper-evil Joaquin Phoenix and lugubrious Oliver Reed (who died during production). CS Read the review, After a string of brilliant, industry-transforming scripts, Charlie Kaufman made his directorial debut with this complex, convoluted drama, starring Philip Seymour Hoffman as theatre director Caden Cotard, who is swamped by personal crises as he works on his dream project: building an ever-expanding replica of the city streets and buildings inside a giant warehouse, and populating it with lookalikes; the blurred boundary between performance and reality is mirrored in Cotard’s own breakdown, with the title giving the big clue – this is all symbolic. From instant classics like Zodiac and Oldboy to underseen gems like A Simple Favor, here are the best thriller movies of the 21st Century so far. I try to watch movies from different eras, from foreign countries, independent films, etc. Top 100 Horror Movies of the 21st century, so far by universe1701 | created - 08 Nov 2017 | updated - 7 months ago | Public Refine See titles to watch instantly, titles you haven't rated, etc • Number 90 of this list was amended on 16 September 2019 to correct the year the film Eden was released to 2014, from 2012 as an earlier version said. CC Read the review, In Richard Linklater’s gorgeous, romantic Before Sunrise, a pair of twentysomethings (Julie Delpy and Ethan Hawke) spent the day together in Vienna. The 100-best list was unveiled in 1998. Who’s to blame? Sensational … Tom Courtenay and Charlotte Rampling in 45 Years. - Metascore: 90 George Clooney is at his most Cary Grant-ish as the leader of the crack team of robbers. “Before Sunset” follows an afternoon spent by lovers reuniting nine years after their first meeting in Paris. The brilliance has faded. Like Brief Encounter, the film aches with the understanding that impossible love makes for a more romantic movie. AP Read the review, Such was the glut of Judd Apatow-ish comedies to come our way about 10 years ago that it’s easy to forget what a gem this is; how deep and weird the performances (stand up, Steve Carell), how fast the laughs and rich the detail. September 11, 2001, was a day that changed lives around the world. An elaborately choreographed procession of tableaux and set pieces ... Russian Ark. Rampling is sensational. AP Read the review, Mammoth two-part Indian crime film that’s a long, long way from Bollywood. CS Read the review, Clio Barnard’s second feature doesn’t have the shock of innovation of her verbatim cinema debut, The Arbor, but the story of two lads scrapping around junkyards to escape their homes is a masterpiece of lyrical social realism. From "Y Tu Mamá También" to "Blue is the Warmest Color," "In the Mood for Love" to "Hustle & Flow," here are the best sexy, steamy, and daring films of the 21st century (so far). 10) Lost In Translation. Daniel Giménez Cacho is petty, wretched Zama, clinging to his white man’s sense of importance (and his ill-fitting periwig), a symptom of colonial rot. CS Read the review, Rarely has summer lust been so headily captured as in Luca Guadagnino’s breakout Italian romance. AP Read the review, When Ken Loach won the Palme d’Or at Cannes for his film about the Irish rebellion against British rule, the tabloids went on the attack (Daily Mail: “Why Does Ken Loach hate his country so much?”). But from 2016, there has been a raging Plainview in plain sight in the White House: Trump, the eccentric property billionaire and spoilt baby whose cranky tweets are as crazy as Plainview’s deranged “milkshake” pronouncement. 81 / 100. Originally conceived as the pilot of a new TV series, this expertly fuses Lynch’s softcore pulp obsessions with his trademark creepy surrealism. CS Read the review, The second in Roy Andersson’s trilogy of wackily incisive Swedish vignettes comes at you thick and fast – about 50 micro-sketches, sometimes loosely linked – yet sticks like plasticine beneath your fingernails. Well, the first half, anyway. Movies. CC Read the review, Possibly the most fun anyone’s had at the cinema so far this century, Martin Scorsese’s The Wolf of Wall Street ought to be a cautionary tale. Thai master Apichatpong Weerasethakul’s hypnotic experimentalism has never been bettered; sorry, Uncle Boonmee. AP Read the review, An extraordinary documentary about the wave of barbaric killings that swept Indonesia in the mid-60s. He filmed a clown named David Friedman, who happened to be Jesse’s brother, and was pulled into a new story. Agitprop, and essential. There will be Blood (2007) Director Claire Denis drew on her own upbringing in colonial west Africa to give this study of a hard-as-nails plantation owner a pungent whiff of authenticity. A young woman, helped by her friend, arranges an illegal abortion in the late 80s; the squalid events that follow parallel the decay and chaos of the country as the communist dictatorship began to collapse. Jérémie Renier plays a petty criminal who sells his newborn baby in the adoption black market, but his devastated girlfriend’s response forces a kind of redemption. Movies. Harrowing but clear-sighted. 11 / 100. written by . And the bullet-strewn “The Man From Nowhere” is perhaps one of the clearest lines between the two eras. The Marsh sisters are played by Saoirse Ronan, Emma Watson, Florence Pugh, and Eliza Scanlen, and their performances elevated this movie from best iteration to one of the best films of the century. The upstairs-downstairs drama with a large ensemble cast snagged an Academy Award for Best Screenplay. AP Read the review, One of Isabelle Huppert’s finest performances, and that’s saying something. Films with less than seven reviews were not considered. It doesn't matter whether you're a movie lover who adores all the classic movies of the past century or a modern cinema fan, this news will surely make you happy: the ВВС published a list of the 100 best movies of the current century, based on the opinions of nearly 200 international critics. So which movies do critics say have bested the rest? It also has the best line ever about being in a couple with small children: “I feel like I’m running a small nursery with someone I used to date.” CC Read the review, Michael Winterbottom and Steve Coogan’s truth-tickling hit a high note with this joyful sorta-biopic of the record label boss and broadcaster Tony Wilson. Doomed … Jake Gyllenhaal, left, and Heath Ledger in Brokeback Mountain. CS Read the review, Ang Lee’s romance missed out to Crash for the best picture Oscar, but its legacy as a five-hankie ode to doomed romance lives on. Rotten Tomatoes is celebrating the work of Black filmmakers and performers and the stories they have brought to our theaters over the past 20-plus years. A cinema of awkwardness, wielding a scalpel on the well-to-do middle classes, was born. The Top 25 Greatest Films of the 21st Century. It never descends into cliche or even self-pity; it remains a film for adults, uninterested in anything but the truth. - Metascore: 90 Paul Thomas Anderson’s strange masterpiece, freely adapted by him from Upton Sinclair’s 1927 novel Oil!, has a dark title that threatens a calamity now visible on the horizon: destruction of the Earth itself. 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