A love song, for example, will often contain words that express longing, admiration, fondness, love, forbidden love, stars, eternity, etc. Some scenes in the final cut are thought to have been shot by each, with some critics noting differences between Doyle's more kinetic style as seen in earlier Wong movies, and the more subtle long shots of Lee framing key parts of In the Mood for Love. Das Lächeln, die Einsamkeit und das Glück, https://de.wikipedia.org/w/index.php?title=In_the_Mood_for_Love&oldid=194850293, „Creative Commons Attribution/Share Alike“, Beste Kamera (Technical Grand Prize), Cannes Filmfestival 2000 (Christopher Doyle, Pin Bing Lee, William Chang). He told the babysitter to take the kids to the park for the afternoon so we could have a date at home. Further, a brief portion later in the film is set in Singapore (one of Wong's initial inspirations on the story had been a short story set in Singapore, Intersection, by the Hong Kong writer Liu Yichang). Comment: This item shows signs of wear from consistent use, but it remains in good condition and is a good working copy. Teile der Außenaufnahmen fanden in Bangkok statt, da Wong Kar-Wai die Atmosphäre der 1960er Jahre einfangen wollte, die er so im modernen Hongkong nicht mehr finden konnte. love-in [hippie term] Love-in {n} [Versammlung von Menschen, mit dem Zweck, ihre Liebe füreinander zum Ausdruck zu bringen] He's in the mood. […] Das Versprechen der Liebe ist stets gültig, wartet stets darauf, erfüllt zu werden, und doch muss es ein stetes Geheimnis bleiben […]. "[18], They Shoot Pictures, Don't They?, a review aggregator covering the history of cinema, lists In the Mood for Love as the 45th most acclaimed film of all time, making it the most widely acclaimed film released anywhere in the world since its release in 2000. One of dear friends, Ingrid, had suggested me to watch this movie about a year and a half ago. I finally signed up for this new movie platform, Filmstruck and saw that it was on and watched it.....wow. Essays for In the Mood for Love. Moreover, when I returned home, I challenged myself to use it more in my everyday life and to be mindful that being an example is sometimes all the power that is needed. [7], The total worldwide box office gross was US$12,854,953. Fallen Angels (1995) | Wong's plan to make a film set primarily in Hong Kong did not simplify matters when it came to the shoot. In the Mood for Love; in the mood for something; in the mood to; in the mood to do something; However, despite his agreement with Wong's spontaneous approach to scripting, he found it frustrating to reshoot many of the key moments over and over in environments throughout Southeast Asia until they felt right to the director. It transpired that there would be difficulties securing permission to shoot in Beijing with Wong's spontaneous methods of working and potential political sensitivities in setting his film in mid-20th century China. These are the good guys, because their spouses are the first ones to be unfaithful and they refuse to be. Songs present a particular environment, a particular theme and a platform for learning the language. Schließlich kehrt Li-zhens Ehemann zurück. […] In the Mood for Love ertrinkt in Schönheit und Melancholie, dem wechselseitigen Zusammenspiel dieser beiden Elemente. It's a musical reflection with clips from the movie in the mood for love directed by Wong Kar Wai Wong continued shooting more and more of In the Mood for Love with the cast and crew as he worked furiously to edit the massive amounts of footage he had shot over the past year. Eine ursprünglich aufgenommene Sexszene zwischen Chan und Mo-wan verwendete Kar-Wai letztlich nicht.[1]. Several years later Doyle initially signed on to work on the sequel 2046, but he also abandoned that project halfway through for similar reasons (being replaced by a range of DPs) and has not worked with Wong since. Critic Tony Rayns, on the other hand, noted in a commentary on another Wong film that the differing styles of the two cinematographers were blended seamlessly by Wong's own fluid aesthetic. […] Fast alle für die Fabel-[Plot-]entwicklung wichtigen Vorgänge finden ‚hinter der Bühne‘, für den Zuschauer unsichtbar, statt. £21.46. Wong Kar Wai’s film, “In the Mood for Love” stars Maggie Cheung and Tony Leung as a man and a woman who develop an affair after discovering the unfaithfulness of their respective spouses. There is room for speculation, because whole continents of emotions go unexplored in Wong Kar-wai's "In the Mood for Love," a lush story of unrequited love that looks the way its songs sound. It is by no means coincidental that the two most celebrated Chinese-language films of the last two or three months – Ang Lee's Crouching Tiger, Hidden Dragon (2000) and Wong Kar-wai's In the Mood for Love (2000) – hark back to old genres and times past. Verbs that are stem changing in the present indicative are the same in the subjunctive. Original title: 花樣年華 A melancholy story about the love between a woman and a man who live in the same building and one day find out that their husband and wife had an affair with each other. Many of them are by Nat King Cole, but the instrumental "Green Eyes," suggesting jealousy, is playing when they figure out why her husband and his wife always seem to be away at the same times. In the context of a socially conservative 1960s Hong Kong, friendships between men and women bear scrutiny. Originally, In the Mood for Love (2000) was a much more obvious romance film, with the actors throwing witty dialogue at each other and engaging in several scenes of lovemaking. Wong also set the song to his 2000 short film, named Hua Yang De Nian Hua, after the track. Paris, Texas / Special Edition / Digital Remastered [DVD] [1984] Stanton. In the Mood for Love made HK$8,663,227 during its Hong Kong run. As any film analysis course shows, understanding the film concepts of tone and mood allows viewers to accurately describe the events, characters and plot points of a movie. very different from In the Mood for Love, there are enough similarities in theme, mood, setting and character that make it interesting to analyze the two works side by side. […] aber gegen Ende hin wird der Film immer undurchsichtiger. Die beiden übrig gebliebenen Ehepartner Li-zhen und Mo-wan entwickeln ebenfalls Sympathien füreinander und verbringen mehr und mehr Zeit miteinander, um der Trauer und der Einsamkeit zu entfliehen. I remember liking it then but revisiting it now I can say I get it. AllMusic Rating. In Dream Time. A melancholy story set in Hong Kong in 1962. "I'm in the Mood for Love" is a popular song published in 1935.The music was written by Jimmy McHugh, with the lyrics by Dorothy Fields.The song was introduced by Frances Langford in the movie Every Night at Eight released that year. In a 2016 survey by the BBC, it was voted the second-best film of the 21st century by 177 film critics from around the world. She calls Chow, who is working for a Singaporean newspaper, but she remains silent when Chow picks up. Dabei begegnet er Chan Li-zhen, die am selben Tag mit ihrem Mann ein Zimmer in der Nachbarwohnung desselben Hauses bezieht, das von Frau Suen vermietet wird. [2] Both DPs are credited equally for the final film. "[9] On Metacritic, the film has a weighted average score of 85 out of 100 based on 28 critic reviews, indicating "universal acclaim". Zum Ende sieht man Herrn Chow, der alleine Kambodscha bereist und während eines Besuchs in der Tempelanlage Angkor Wat seine Liebe begräbt: Er flüstert etwas – vermutlich sein bisher nie ausgesprochenes Liebesgeständnis – in ein Loch in einer Mauer und verstopft es dicht mit Erde und Gras. Nur einmal berühren sich die Hände, und lassen die Möglichkeit offen, dass wir vielleicht doch nicht alles gesehen haben. […] Dass nun die Ehepartner der Nachbarn Su und Chow ein Verhältnis beginnen, ist weniger typisch und wirkt auch im Kontext des Filmes sehr konstruiert […]. With Tony Chiu-Wai Leung, Maggie Cheung, Ping Lam Siu, Tung Cho 'Joe' Cheung. In the Mood for Love Movie Feel the heat, keep the feeling burning, let the sensation explode. it Conosciuto per il suo uso di luce naturale nei film e minimi movimenti di camera, Lee riceve il premio alla miglior fotografia al Festival di Cannes del 2000 con il film In the Mood for Love. 4.5 out of 5 stars 577. The last time I saw in the mood for love was like 4 years ago in a high school film studies class. […] Es geht nicht um einen Seitensprung, nicht um Rache, nicht um Sexualität, sondern viel mehr um das Verstanden werden in einer allzu stromlinienförmigen, oberflächlichen Alltagswelt. Usually, mood is referred to as the Atmosphere of a literary piece, as it creates an emotional setting that surrounds the readers. The film's original Chinese title, meaning "the age of blossoms" or "the flowery years" – Chinese metaphor for the fleeting time of youth, beauty and love – derives from a song of the same name by Zhou Xuan from a 1946 film. […] So erzählt Wong Kar-wai die klassische Filmstory vom Paar, das sich verfehlt, aus Stolz wie aus Angst, und damit auch die vage Chance, im Leben nicht nur zufrieden, sondern glücklich zu sein. Zusammenhänge von Handlungen, die der Zuschauer zu erkennen glaubt, erweisen sich oft als nicht relevant oder sogar als falsch geschlussfolgert. Many have read the book, The Five Love Languages by Gary Chapman. Hongkong, 1962: Chow Mo-wan, Chefredakteur einer lokalen Zeitung, bezieht mit seiner Frau ein Zimmer in einem Haus in der Shanghai-Community. Chungking Express (1994) | You may disagree with my analysis. While tone is often said to be what the author feels, what the reader feels is known as the mood. Mit hypnotischem Stilwillen hat Wong Kar-wai das Motto ‚Don’t tell it show it‘ zu einem Requiem über die Unmöglichkeit einer verzweifelten Liebe verdichtet.“, „[…] Das Ganze ist sehr langatmig, lakonisch und actionlos in Szene gesetzt, zeigt aber gerade deshalb enormes Gespür für detaillierte Sentimentalitäten. In the Mood for Love is a film directed by Wong Kar-Wai with Tony Leung Chiu-Wai, Maggie Cheung, Rebecca Pan, Siu Ping-Lam, Mama Hung .... Year: 2000. […] In Gedanken bleibt den Liebenden immer die ferne Sehnsucht an jene Liebe, noch Jahre später kehren sie an die bedeutungsvollen Orte zurück: Doch obwohl das Versprechen ewig hält, ist der besondere Geist der Liebe inzwischen verschwunden, verweht, vergangen. […] Auf den kummervollen Gesichtern von Su und Chow dagegen verweilt die Kamera mit einer poetischen Geduld, als betrachte man ein Gemälde. Ist es eine Komödie? 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